Dina Goldstein

Dina Goldstein
2014 - 40 x 50 cm
Special Edition 3 / 20
Pigment on Archival Paper
Dina Goldstein
Last Supper
2014 - 84 x 162 cm
Large Edition 2 / 9 + 1 AP
Pigment on Archival Paper
Dina Goldstein
2014 - 63 x 84 cm
Medium Edition 2 / 9 + 1 AP
Pigment on Archival Paper
See video
The Making of
Gods of Suburbia
Behind the scenes
Dina Goldstein
2014 - 63 x 89 cm
Medium Edition 2 / 9 + 1 AP
Pigment on Archival Paper
Dina Goldstein
2008 - 40 x 50 cm
Special Edition 3 / 20
Pigment on Archival Paper
Dina Goldstein
The Princess and the Pea
2009 - 72 x 101 cm
Medium Edition 5 / 9 + 1 AP
Pigment on Archival Paper
Dina Goldstein
2009 - 40 x 50 cm
Special Edition 2 / 20
Pigment on Archival Paper
Dina Goldstein
2008 - 40 x 50 cm
Special Edition 3 / 20
Pigment on Archival Paper

Dina Goldstein is a Canadian photographer working with large-scale tableau, exploring elements of the human condition, through the lens of Pop Surrealism. Dina’s career began as a photojournalist, editorial and commercial photographer. She describes her early work as photo-anthropology, where she documented and exhibited portraits of Palestinians, Gamblers, Teenagers, Weightlifters, Wrestlers and various other subcultures. Dina was inspired by personal events when she created the highly conceptual ‘Fallen Princesses’ series 2007-2009. The series questions the “happily ever after” motif created by Disney and Western society. The project was a huge online success and continuously goes viral. She continued with a tradition of fine detailed productions with her second major body of work ‘In the Dollhouse’, 2012, a 10-part sequential narrative that takes place within a very pink adult sized Dollhouse belonging to Barbie and Ken. Dina has won numerous awards such as the Arte Laguna Grand Prize, which invited her to attend a residency in India. Dina released ‘Gods Of Suburbia’, 2014, her most complex photographic initiative to date and was recently awarded first place at the Prix Virginia, an International Prize for Women, in Paris, where an exhibit was mounted. Dina participates in festivals and exhibits in commercial, public galleries and museums internationally.


Selected Solo Show

Snapshots From The Garden Of Eden, Sidney and Gertrude Zack Gallery, Jewish Center, Vancouver, B.C.
Curator: Linda Lando

Daegu Photo Biennale, Daegu South Korea. Curator: Issack Kim
Mesa Contemporary Arts Museum
, Mesa, Arizona. Curator: Tiffany Fairall
Dina Goldstein,
Virginie Barrou Planquart, Paris, France. Curator: Virginie Barrou Planquart
Gods Of Suburbia
, Capture Photo Festival, Vancouver. Curator: Kim Spencer-Nairn
Collections, Central Dupon, Paris, France
In The Dollhouse
, Rize Gallery, Amsterdam, Holland. Curator: Immechien Bonnet
Gods Of Suburbia
, Madison Gallery, CA, USA. Curator: Lorna York with Fatima Golem

, Central Dupon, Paris, France
Fallen Princesses, Playtime Productions and Opiom Gallery - Public
Exhibition, Mediathèque, Mouans-Sartoux, France. Curator: Hélène Girault
Gods Of Suburbia
, Diamond Foundation Private Collections, Vancouver, B.C. Curator: Katsumi Kimoto

In The Dollhouse and Fallen Princesses
, Prix Virginia Overall winner, Paris, France: Jury Curated, organizers: Marie Descourtieux and Sylvia Schildge

XX, 20 Year Retrospective
, Capture Photo Festival, Vancouver, Canada
In the Dollhouse
, Art Mur, Montreal, CAN
Fallen Princesses
, Musee Femme, Quebec Traveling exhibition, Curator: Marie-Eve Desautels

Foto Art Festival, Beisko-Biala

Bleicher Gallery, Santa Monica, California, USA
Buschlen Mowatt Gallery, Vancouver


Selected Group Show

, Haifa Museum, Haifa, Israel. Curator: Limor Alpern Zered
All the better to see you with: Fairy tales transformed,
Ian Potter Museum, University of Melbourne, Australia. Curator: Samantha Comte
Where Does The Future Get Made?
- Gods Of Suburbia, Lishui Biennial Photography Festival, Lishui Museum, China. Curator: James Ramer
Jewish Folktales Retold: Artist as Maggid
, Contemporary Jewish Museum, San Francisco, US. Curator: Pierre-François Galpin and Renny Pritikin
Fallen Princesses
, Contact Photography Festival, Toronto, Ont. Curator: Belinda Chum Gallery House
Gods Of Suburbia
, Auckland Festival Of Photography, Auckland, NZ. Curator: Shahidul Alam

Once Upon in A Fairy Tale, Mart Photography Centre Yekaterinberg, Russia. Curator: Artem Berkovich
The Girl Next Door
, Haarlem, Holland
Group Palm Springs Fine Art Fair, Palm Springs, USA
Festival, Gods Of Suburbia, Art Souterrain, Montreal, Quebec. Curator: Raymond Cantin

Festival, Fallen Princesses, Rencontres Internationles de La Photographie En Gaspie, Quebec, Canada. Curator: Claude Goulet
Festival, In The Dollhouse, FOTOGRÁFICA BOGOTÁ BIANAL - Photography Museum Colombia, Museum Director Gilma Suárez

Fallen Princesses, Rencontres Internationales De La Photographie En Gaspésie, Quebec, Canada Jury Curated: Festival Director, Claude Goulet

Gods Of Suburbia Sakshi Gallery, Mumbai, India. Curator: Igor Zanti
Catalogue Inclusion, In The Dollhouse, Musee D’Orangie Paris, France, Frida Kahlo and Diego Rivera Catalogue. Curator: Marie-Paule Vial, director, Musée de l'Orangerie
Festival, In The Dollhouse, Capture Photo Festival , Kimoto Gallery, Vancouver, Canada, Curator: Katsumi Kimoto
Fallen Princesses, Brigham Young University Museum of Art, We Could Be Heros, Utah, U.S.A. . Curator: Jeff Lambson
Fallen Princesses, OUT / OFF - Mumbai, India Curator: Kanchi Mehta, Chameleon Art Projects

Premio Arte Laguna
, Tese dell`Arsenale, Venice, Italy

Lie To Me
, Art Mur Gallery, Montreal, Quebec

The unreal real
, Erez Gallery, Tel Aviv, Israel
Woman in Photography
, Freidman & Sacks Gallery, Los Angeles, USA


Awards and Recognitions

Overall Winner, Prix Virginia, Paris, France

Arte Laguna, Venice, Italy Special Prize Winner

Selected American Photography 26

Finalist, Fine Arts, International Color Awards
Selected American Photography 25
1st place Popular Photography, Reader’s competition

1st Place ‘Magazine Cover Art’, Applied Arts Magazine

Nominee, ‘David Screams’, Black and White Spider Awards
1st Place, ‘Ice Cream’, International Color Awards

1st Place, ‘Hands’, Applied Arts Magazine                  
1st Place, ‘Trackrecord Exhibit Poster’ Applied Arts Magazine

3rd Place, ‘Trackrecord Exhibit Poster’, Nikon PDN awards                 
Top 10, ‘Ice Cream’, Photo Life Magazine

Nominee, ‘Manifesto of Fun’, Western Magazine Awards

Nominee, ‘Home Wrecked’, Western Magazine Awards

Nominee, ‘Dig It’, Western Magazine Awards

Dina Goldstein - AMICA

Gennaio 2013

Dina Goldstein
"E se Ken fosse gay?"

Dina Goldstein - Augsburger Allgemeine

Dicembre 2012

Dina Goldstein
"Von Hans zu Harry"
Von Birgit Müller-Bardorff

Dina Goldstein - Io Donna

Settembre 2012

Dina Goldstein
"(Non) raccontiamo favole"
di Mauro Covacich, Pulsatilla,
Alessandro D`Avenia, Daria Colombo, Vivian
Lamarque e Aldo Nove

Goldstein - Photographie

Dicembre 2013

Dina Goldstein
Des einen Freud ...
... des anderen Leid.

Goldstein BILD

Giugno 2012

Dina Goldstein
"Das wahre Leben von Barbie & Ken"

Goldstein Times Life

Agosto 2012

Dina Goldstein
"NOT A happily-after-end-ever-story"



Goldstein - GOS

Dina Goldstein - Gods Of Suburbia

This is Dina Goldstein’s third large-scale project 2013-2014. The work is a visual analysis of religious faith within the context of the modern forces of technology, science and secularism. The series plays with narrative and religious iconography in order to communicate how organized belief has become twisted within a global framework driven by consumerism and greed. The project challenges the viewer — religious or secular — to embark on a journey of self-reflection as they contemplate the relevance of dogma in modernity.


Click HERE to watch the making of GOS


The Characters




Last Supper, East Vancouver – Jesus

This piece is inspired by Leonardo da Vinci's iconic, Last Supper, which was painted in the late 15th century in Milan, Italy. My reenactment of history’s most famous dinner party is meant to portray the treatment of the most vulnerable by society. I have placed Jesus and his Apostles, a street gang, specifically in Vancouver’s Downtown Eastside. This is Canada’s poorest postal code and a place of chronic drug abuse, alcohol addiction and mental illness. Jesus and the Apostles consume the diet of street people: cheap packaged noodles, cheap beer and canned tuna, while Judas plots his betrayal of Jesus. In Vancouver, so much money has flowed into the Downtown Eastside, but it is still a place of violence, addiction and homelessness. Like Judas, who betrayed Jesus for money, many have benefitted from initiatives to help Vancouver’s poor, yet the poor still have nothing. 



Who doesn’t wish they could be Satan, just for a day, operating without the prick of a conscience? My modern Mephistopheles is a tow-truck driver, winching up the car of a grandmother who pleads with him but her dismay amuses him. This photograph is a critique of how draconian the rules of society can be. Satan has the authority to tow grandmother’s car away, but is it the right thing to do? As a society, we devise laws that are meant to make society a just place for all—but we fail so often.


Elohim (God the Father)

Elohim or Yahweh is the name for God that is found in the Hebrew Bible. By early post-biblical times, the name Yahweh had ceased to be pronounced aloud, except once a year by the High Priest in the Holy of Holies; on all other occasions it was replaced by ‘Adonai’, meaning "my Lord". In my narrative his aspirations and dreams are unfulfilled. He is living in a flophouse, taking odd jobs to survive. Is his failure mankind itself? Or is the concept of God as omnipotent flawed?
If man was made in God’s image, it makes sense that he can fail too—
Why is goodness and peace so rare while war, cruelty, suffering and environmental degradation so prevalent?



Darwin was a British Scientist who developed the theory of evolution and natural selection.
As a young man, Darwin was deeply religious and even considered being ordained. But instead he pursued a life of science, sailing all over the world to study animal species and their environments. His observations of the many varieties of Finch birds in the Galapagos Island led him to solidify his theory of natural selection.  His famous theories were based upon the scientific method, where you create a hypothesis and then prove it through experimentation. Darwin was among the many scientists that have helped society evolve out of mysticism, superstition and faith. But science does not hold the answer to everything and even subscribes to the randomness of life on Earth.


Muhammad - The Prophet

Muslims have a rich history as scholars and philosophers, and modernity owes much to the Islamic Golden age, which flourished from the 7th to the 13th century. Muslims made many discoveries in mathematics, chemistry, physics, medicine, astronomy and psychology. All of this hundreds of years before science arrived in Europe.
This piece explores the obvious disconnect between the East, specifically Islamic principles and the West’s secular ideals, which is currently at the forefront of international concern.
Fundamentalism is on the rise, combining dark age torture with high tech social media to recruit. Each side has deeply seeded beliefs that are based on directly opposing ideologies. Can the concepts of many different religions co-exist within an ever-expanding global population?


Fringe / Cult


Scientology – Lord Xenu 

Scientology, created by Ron L. Hubbard, is controversial; due in part such famous Hollywood members, as well as its unusual science fiction like doctrines. One is the myth of Xenu, who is acting as a therapist for a psychiatrist, a twist on the Scientology belief that psychiatry as a profession is barbaric and corrupt. According to Scientology, Xenu took control of Earth’s inhabitants with the help of Thetans from space who inserted anxiety and self doubt into humans.  In order to expel the corruptions left by the Thetans, through the process of Dianetics, Scientology Auditors interview and record their members in a process called ‘Auditing’. This portrait illustrates how those who control the minds and hearts of people through dogma are quick to condemn things that encourage free, independent thought.


Voodoo Voodoo Queen 

The name was derived from the god Vodun of the West African Yoruba people who lived in 18th and 19th century Dahomey. Slaves brought their religion with them when they were forcibly shipped to Haiti and other islands in the West Indies. Demonized and dramatized, it is a belief system like conventional religions, in that it seeks to make sense of the world and the eternal question: “Why are we here?”
This photograph references Voodoo and is homage to African slaves. The setting is a much loved home that is about to be torn down, the young woman who grew up here is surrounded by the ghost-like memories from childhood. In the background, outside, is Papa Legba, who is a Loa, the word for a Voodoo deity.  He is the intermediary between the human world and the spiritual world.  In Voodoo, the demarcation between life and death is more fluid; helping Voodoo followers create order out of disorder. The snake represents Damballa Veve.  He is a snake-god of fertility and the father of all Loa.
The chicken feet are a voodoo fetish, and act as protection. The presence of the chicken feet protects and preserves the unseen but nonetheless unbreakable bonds of love and family.


Wicca - Horn God and Moon Goddess

Wicca is modern Witchcraft religion that draws upon a diverse set of ancient pagan motifs and ritual practice. In Wicca, female and male are equally sacred. As a modern belief system, it is given little respect or credence thanks in part to a misunderstanding of this faith which often times is portrayed in Hollywood as good and bad witches. In Wicca, the female goddess is represented by the Moon, a symbol of Mother Earth and fertility. The male Wiccan god is given horns, representing the horned animals that ancient humans hunted. Some historians say that the Christian church gave Satan horns to demonize the Wiccan faith. Wicca includes ceremony and ritual that serves the union of the divine with nature rather than embracing a personal god.
This is something that we associate with people who are on the fringe of society, which is why my Wiccan god and goddess are, living on the outside of the mainstream, along the periphery of Suburbia.





This is Ganesha, one of the most prominent deities in Hinduism and the Lord of obstacles. Ganesha, easily identified by his Elephant head, has been depicted throughout the ages within all mediums of art and complex iconography. This portrait reflects my personal experiences from childhood. As an immigrant to Canada I was bullied for being different and for not speaking English—You can see in the photo that what differentiates people is not only what they eat, and how they dress, but also what they believe in. Being bullied makes people internalize their feelings and beliefs. By staying open to other ways of thinking and listening to the stories of those who come from different places, we can grow and enhance our lives.



Laksmi is the Hindu goddess of wealth, beauty and money. And isn’t the workingwoman today supposed to embody all these traits? Her four hands are the many responsibilities she shoulders. She must be beautiful and attractive for her partner and bring home at least half of the family income. But she is still in the kitchen, responsible for the running of the household. The black mamba snake slithering towards Lakshmi is highly venomous. If Lakshmi fails in many responsibilities, what happens to her family, her community, her followers?



The word Buddha means "awakened one" or "the enlightened one”. Buddhism is about the search for truth or enlightenment by rejecting the three poisons that keep us from true fulfillment, they are: ignorance, attachment and aversion, which equate to the Western psychological concepts of narcissism, desire, and hatred.
The 3 poisons are the result of Ignorance isn't just an inability to apprehend the truth but an active misapprehension of oneself and one’s surroundings—It is the blind assumption that things are different then in actuality.
I’ve placed Buddha in a high-end supermarket to illustrate how far we live and exist from the ideals of Buddhism, which we, in the West, pay homage to with yoga and meditation.
The irony is that we continue our immersion in the three poisons when we shop at such overpriced designer supermarkets. They are a façade—they hide truth with labels like Organic. They indulge our narcissism and desire – separating the haves even further from the have-nots, who can’t shop at such places and are left with GMO and lower scale food.

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